Wink Poppy Midnight » Book Review

Do you judge a book by its cover?

This book received a lot of buzz prior to its publication because its cover was so undisputedly amazing.  With its stretched, sharply serifed type, cut-out illustrations, and darkly muted color palette,  the packaging of Wink Poppy Midnight was making everyone ga-ga.  Add onto that the cool title and the success of the anthology Slasher Girls and Monster Boys, which Tucholke edited, and bloggers were hot to get ahold of this novel.

After the release, however, the reactions seemed to be mostly lackluster. Reviewers weren't responding well to the book. Because of this, I was expecting to be disappointed.  Maybe it because my bar was so low,  but I wound up liking Wink Poppy Midnight, enough to give it 3.5 stars. (The cover gets full marks, of course.)

Beyond the Packaging of Wink Poppy Midnight

The novel is character-driven, as can be expected — the book's title is the three narrator's names, strung together. Midnight is a lovely-faced, teenage boy who is experiencing a lot of growing pains.  He's been infatuated with his beautiful, yet cruel neighbor, Poppy, for as long as he's known her, but when his family moves across town, Midnight sees an opportunity to leave the mean girl in the dust.  Helping him along is Wink, the mystical eldest daughter of the Bells, a family renown for their fortitude.  Poppy, however, won't be forgotten.

What happens next is... sort of a muddle, but it's a nicely written muddle.  Many reindeer games are played and there's a lot of mystery over who's calling the shots.  Is manipulative Poppy in control? Or is Midnight coming into his own power?  And what about Wink — you know what they say about the quiet ones.

I suppose my main criticism with Wink Poppy Midnight is that it flirts with pointlessness.  There was a huge WHO CARES?! cliff that I almost fell into throughout the whole novel. If you happen to not respond well the characters, Wink Poppy Midnight won't have a leg to stand on. As it turned out, I was ambivalent towards Wink and Midnight, but I kept listening to the audiobook because of Poppy. I loved her fierce character.

I can't see Wink Poppy Midnight being a book that everyone loves, so I hesitate to recommend it. Nevertheless, the novel has given me plenty to think about. [rating stars="three-half-stars"]

Crimson Peak » Movie Review

“There is something at work in my soul, which I do not understand.” — Mary Shelley

Full disclosure — I love this movie.  I went to see Crimson Peak (2o15) in theaters twice and one of those times was on its opening day.  I knew I'd adore the film before I ever even saw it.  I mean, Guillermo del Toro, (Pan's Labyrinth) doing a period, gothic horror? Shut up and take my money!

Crimson Peak tells the story of a young American woman, Edith Cushing.  Despite losing her mother at an early age, she lives a happy life.  She's close with her father, who is a successful businessman, and she has aspirations of becoming a writer.  Very little haunts her... except for that one thing that happened after her mother's funeral. But that's best not spoken of...

Edith is a true romantic, so when a destitute British noble and inventor, Thomas Sharpe, woos her with dashing aplomb, she is done for.  She marries him and they depart for his holding in the peaks of England.

Of course, the course of true love never did run smooth...

So yes, Crimson Peak, is in part, a horror movie.  For some people, that is reason enough to never see a movie, ever.  And I won't lie to you, there were some parts of Crimson Peak that had me wanting to cover my eyes and my ears. But unlike many horror movies, there is a lot more to the storyline besides the violence. And for the most part, the thrills and chills are stylized.  I'm thinking, of course, of the ghosts. Crimson Peak has the best ghosts I've ever seen in a movie — stringy, floaty, and saturated with blues and reds.

As for the performances, Mia Wasikowska was serviceable as Edith.  She does a good job, neither approaching her best work (Stoker) nor her worst (Alice in Wonderland).  Ultimately, she couldn't keep up with the magnetism that Tom Hiddleston and Jessica Chastain brought to their roles.  Whenever Chastain appeared on screen, I sat up.  When Hiddleston appeared, I sat forward!  I always thought the actor was sullen and pasty looking and I never got his appeal.  Of course, I hadn't seen him in action before.  Needless to say, I'm convert now.  He's an amazing performer.

The costuming was divine. Hiddleston's suits were eye candy, Chastain's red gown was prismatic, and as for Edith's signature shoulder puffs, I wouldn't be surprised if the seamstresses got a pay bonus with every inch they extended those things.  The soundtrack will haunt my dreams, creepy and romantic at the same time.  In fact, I'm listening to Edith's Theme on repeat as I type this review.

But maybe the thing I loved best about Crimson Peak was its moral ambiguity, represented wonderfully by Thomas Sharpe.  A true Byronic hero, Hiddleston's character rivaled the iconic Heathcliff for being a bad dude who you can't help but forgive and pine for.  My feelings were so complicated and strong in regards to him and his situation, which is absolutely the point of gothic art. For instance, there's this moment,  at the finale of the movie,  that is the most perfect culmination of our emotional journey with Thomas... [spoiler]Edith takes her husband's ghostly face into her hand.[/spoiler] I choked, I cried, and I was sold.



Before I end this review, let me explain the above cartoon. It was drawn at the beginning of the 19th century, and lampoons a gothic novel popular at the time, The Monk. "Romantic" and "gothic" novels were seen as trash at the time, stupid stuff that rotted reader's brains. The cartoon mocks the readership of such novels, especially women who were in search for cheap thrills.

Well, I am proud to say that I would totally be part of that book club.  The Monk... Wuthering Heights... The Castle of Otranto...  Crimson Peak... these pieces of art appeal to the part of our humanity that is complicated, vast, and emotional.  The parts that want to be scared, loved, and put on edge.